[Postmark: June 6, 1846]
Sunday.
This is the first word I have written out of my room,
these five years, I think . . if I dare count anything beyond
two . . for I do know that one comes after two . . (now
just see what I have written !) that two comes after one, I
meant to say, . . as well as a mathematician. I am writing
now in the back drawing-room, half out of the window for
air, driven out of my own territory by the angel of the sun
this morning. Oh — it is so hot — and the darkness does
not help when the lack is just of air. There is a thick
mist lacquered over with light — it is cauldron-heat, rather
than fire-heat. So different in the country it must be !
Well, everybody being at church or chapel, I knew I could
have this room to myself, without fear even of the dreadful
knocker . . more awful to me than the famous knocks
which used to visit the Wesley family — so here I curl up my
feet ‘more meo’ on the settee, and help to keep the
sabbath by resting upon you. Would Miss Goldsmid call
it as ‘ profane ‘ as anything in your poems ? But it will not:
be more profane for that — as I could prove if we wanted
proofs — only we do not.
Such flowers as you brought me yesterday — such roses !
The roses are best, as coming from your garden ! When I
began to arrange them, I thought I never saw such splendid
roses anywhere — they are more beautiful than what you
brought last year surely ! It seems so to me. Dearest,
how did you get home, and how are you ? and how is your
mother ? Remember to answer my questions, if you please.
After you were gone I received from Mr. Lough a very
gracious intimation that if I would go to see his studio, his
statue of the Queen and other works, he would take care
that no creature should be present, he would uncover all
the works and provide a clear solitude for me — he ‘ would
not do it for a Duchess,’ he said, but he ‘ would for me’ !
Now what am I to say. My sisters tell me that I can go
quite easily. The place is very near, and there are no
stairs. Well, I think I must go. It is very kind and
considerate, and there would be a pleasure, of course. Do
you know that statues have more power over me than all
the pictures and all the colours thereof which the world can
show ? Mr. Kenyon told me once that it was a pure affectation
of mine to say so — and for my own part I could not
see for a long while what was the reason of a most unaffected
preference. I think I see it now. Painting flatters the
senses and makes the Ideal credible in a vulgar way. But
with sculpture it is different — and there is a grand audacity
in the power of an Ideal which, appealing directly to the
Senses, and to the coarsest of them, the Touch, as well
as the Sight, yet forces them to receive Beauty through
the door of an Abstraction which is a means abhorrent to
them. Have I written what I mean, I wonder, or do you
understand it, without? Then there is a great deal, of
course, in that grand white repose ! Like the Ideas of the
Platonic system, these great sculptures seem — when looked
at from a distance.
When you were gone yesterday, and I had had my coffee
and put on my bonnet, I went, with the intention of walking
out, as far as the drawing-room, and there, failed : not even
with your recommendation in my ears, beloved, could I get
any further. Notwithstanding all my flatteries (meaning
the flatteries of me !) I was not at best and strongest,
yesterday, nor am even to-day, though it is nothing to mind
or to mention — only I think I shall not try to walk out in
this heat even to-day, and yesterday it seemed impossible.
So I came back and lay on my own sofa, and presently
began to read ‘ Le Comte de Monte Cristo,’ the new book
by Dumas, (observe how I waste my time — while you learn
how not to fortify cities, out of Machiavelli !) and really he
amuses me with his ‘ Monte Cristo ‘ . . six volumes I am
glad to see — he is the male Scheherazade certainly. Now
that the hero is safe in a dungeon (of the Chateau d’lf) it
will be delightful to see how he will get out — somebody
knocks at the wall already. Only the narrative is not
always very clear to me, inasmuch as, when I read, I unconsciously
interleave it with such thoughts of you as make
very curious cross readings . . j’avais cru remarquer quelques
infidelitÈs . . he really seems to love me — l’homme n’est
jamais qu’un homme . . never was any man like him — ses
traits Ètaient bouleversÈs . . the calmest eyes I ever saw . .
So, Dumas or Machiavelli, it is of the less consequence
what I read, I suppose, while I apply so undestractedly.
May God bless you, ever beloved ! I think of you, I
love you — I forgot again your ‘ Strafford ‘ — Mr. Forster’s
‘ Strafford,’ I beg his pardon for not attributing to him other
men’s works. Not that I mean to be cross — not to him
even.
I am your own.
