#263

Tuesday Morning.

March 10, 1846.

Dear, dear Ba, if you were here I should not much speak to you, not at first  – – nor, indeed, at last,  – – but as it is, sitting alone, only words can be spoken, or (worse) written, and, oh how different to look into the eyes and imagine what might be said, what ought to be said, though it never can be  – – and to sit and say and write, and only imagine who looks above me, looks down, understanding and pardoning all! My love, my Ba, the fault you found once with some expressions of mine about the amount of imperishable pleasures already hoarded in my mind, the indestructible memories of you; that fault, which I refused to acquiesce under the imputation of, at first, you remember  – – well, what a fault it was, by this better light! If all stopped here and now; horrible! complete oblivion were the thing to be prayed for, rather! As it is, now, I must go on, must live the life out, and die yours. And you are doing your utmost to advance the event of events,  – – the exercise, and consequently (is it not?) necessarily improved sleep, and the projects for the fine days, the walking  . . . a pure bliss to think of! Well, now  – – I think I shall show seamanship of a sort, and ‘try another tack’  – – do not be over bold, my sweetest; the cold is considerable,  – – taken into account the previous mildness. One ill-advised (I, the adviser, I should remember!) too early, or too late descent to the drawing-room, and all might be ruined,  – – thrown back so far  . . . seeing that our flight is to be prayed for ‘not in the winter’  – – and one would be called on to wait, wait  – – in this world where nothing waits, rests, as can be counted on. Now think of this, too, dearest, and never mind the slowness, for the sureness’ sake! How perfectly happy I am as you stand by me, as yesterday you stood, as you seem to stand now!

I will write to-morrow more: I came home last night with a head rather worse; which in the event was the better, for I took a little medicine and all is very much improved to-day. I shall go out presently, and return very early and take as much care as is proper  – – for I thought of Ba, and the sublimities of Duty, and that gave myself airs of importance, in short, as I looked at my mother’s inevitable arrow-root this morning. So now I am well; so now, is dearest Ba well? I shall hear to-night  . . . which will have its due effect, that circumstance, in quickening my retreat from Forster’s Rooms. All was very pleasant last evening  – – and your letter &c. went à qui de droit, and Mr. W. Junior had to smile good-naturedly when Mr. Burges began laying down this general law, that the sons of all men of genius were poor creatures  – – and Chorley and I exchanged glances after the fashion of two Augurs meeting at some street-corner in Cicero’s time, as he says. And Mr. Kenyon was kind, kinder, kindest, as ever, ‘and thus ends a wooing’!  – – no, a dinner  – – my wooing ends never, never; and so prepare to be asked to give, and give, and give till all is given in Heaven! And all I give you is just my heart’s blessing; God bless you, my dearest, dearest Ba!

 

#262

Tuesday Morning.

March 10, 1846.

Now I shall know what to believe when you talk of very bad and very indifferent doings of yours. Dearest, I read your ‘Soul’s Tragedy’ last night and was quite possessed with it, and fell finally into a mute wonder how you could for a moment doubt about publishing it. It is very vivid, I think, and vital, and impressed me more than the first act of ‘Luria’ did, though I do not mean to compare such dissimilar things, and for pure nobleness ‘Luria’ is unapproachable — will prove so, it seems to me. But this ‘Tragedy’ shows more heat from the first, and then, the words beat down more closely  . . . well! I am struck by it all as you see. If you keep it up to this passion, if you justify this high key-note, it is a great work, and worthy of a place next ‘Luria.’ Also do observe how excellently balanced the two will be, and how the tongue of this next silver Bell will swing from side to side. And you to frighten me about it. Yes, and the worst is (because it was stupid in me) the worst is that I half believed you and took the manuscript to be something inferior — for you — and the adviseableness of its publication, a doubtful case. And yet, after all, the really worst is, that you should prove yourself such an adept at deceiving! For can it be possible that the same

‘Robert Browning’

who (I heard the other day) said once that he could ‘wait three hundred years,’ should not feel the life of centuries in this work too — can it be? Why all the pulses of the life of it are beating in even my ears!

Tell me, beloved, how you are — I shall hear it to-night — shall I not? To think of your being unwell, and forced to go here and go there to visit people to whom your being unwell falls in at best among the secondary evils! — makes me discontented — which is one shade more to the uneasiness I feel. Will you take care, and not give away your life to these people? Because I have a better claim than they  . . . and shall put it in, if provoked  . . . shall. Then you will not use the shower-bath again — you promise? I dare say Mr. Kenyon observed yesterday how unwell you were looking — tell me if he didn’t! Now do not work, dearest! Do not think of Chiappino, leave him behind  . . . he has a good strong life of his own, and can wait for you. Oh — but let me remember to say of him, that he and the other personages appear to me to articulate with perfect distinctness and clearness  . . . you need not be afraid of having been obscure in this first part. It is all as lucid as noon.

Shall I go down-stairs to-day? ‘No’ say the privy-councillors, ‘because it is cold,’ but I shall go peradventure, because the sun brightens and brightens, and the wind has gone round to the west.

George had come home yesterday before you left me, but the stars were favourable to us and kept him out of this room. Now he is at Worcester — went this morning, on those never ending ’rounds,’ poor fellow, which weary him I am sure.

And why should music and the philosophy of it make you ‘melancholy,’ ever dearest, more than the other arts, which each has the seal of the age, modifying itself after a fashion and to one? Because it changes more, perhaps. Yet all the Arts are mediators between the soul and the Infinite,  . . . shifting always like a mist, between the Breath on this side, and the Light on that side  . . . shifted and coloured; mediators, messengers, projected from the Soul, to go and feel, for Her, out there!

You don’t call me ‘kind’ I confess — but then you call me ‘too kind’ which is nearly as bad, you must allow on your part. Only you were not in earnest when you said that, as it appeared afterward. Were you, yesterday, in pretending to think that I owed you nothing  . . . I?

May God bless you. He knows that to give myself to you, is not to pay you. Such debts are not so paid.

Yet I am your

Ba.

People’s Journal for March 7th.